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備注：已完結(jié)
類型：動作片
主演：Tigmanshu Dhulia Nawazuddin Siddiqu
導(dǎo)演：阿努拉格·卡施亞普
語言：印地語
年代：未知
簡介：英國統(tǒng)治印度的后期，舍希德·汗以傳奇人物蘇丹那王的名義，打劫英國的火車，被驅(qū)逐出瓦塞浦。舍希德·汗逃亡到丹巴德，為煤礦主瑞馬德哈·辛格工作，卻因此結(jié)下了家族世仇。十年后，舍希德·汗的花心兒子沙達(dá)爾·汗發(fā)誓要為父報(bào)仇，成為了瓦塞浦的一方霸主。沙達(dá)爾·汗一面在丹巴德與殺父仇人煤礦主瑞馬德哈·辛格斗智斗勇，一面又在瓦塞浦與之前的霸主蘇丹王帶領(lǐng)的庫雷希族對抗。舊仇未報(bào)，新仇又結(jié)... 影片用類似紀(jì)錄片的方式，在歷史的背景下，講述了三個黑幫集團(tuán)之間錯綜復(fù)雜的關(guān)系。從1940年跨越到2004年，穿插了印度獨(dú)立、巴印分治、以及印度的宗教派系之間的血腥殘殺。瓦塞浦黑幫的所作所為全都印映著歷史的痕跡。
備注：已完結(jié)
類型：喜劇片
主演：Mona Afshar Esther Anderson Kelsie
語言：英語
年代：未知
簡介： When Max, a down on his luck strip club owner, has his life and livelihood threatened by local gangsters, he turns to his wife's connections for help and hires a hitman to solve the problem once and for all. But before long, Max is blinded by his newfound power and his family finds him spinning off the rails as the body count piles up. —Hayden Fortescue
備注：已完結(jié)
類型：劇情片
主演：Shardul Bhardwaj Shashi Bhushan Mah
導(dǎo)演：普拉泰克·扎茨
語言：印地語
年代：未知
簡介： 印度人民將猴子當(dāng)成神靈，終成禍患。青年安賈尼在姐夫的幫助 下，找到了一份公務(wù)員的工作，工作內(nèi)容是模仿“咿嘞嗚”的叫 聲來嚇跑猴子。這份工作打擊了他的尊嚴(yán)和勇氣，令他非常不滿， 卻因自身能力欠缺而無可奈何。他決定裝扮成葉猴──猴子的天 敵──來對付猴子，令猴子們紛紛逃竄?？墒墙?jīng)歷連串事件之后， 他卻發(fā)現(xiàn)自己像猴子一樣被驅(qū)逐。這是一部諷刺意味十足的影片， 將猴子的威脅、承包商的腐敗，與安賈尼的工作經(jīng)歷融為一體， 折射出對當(dāng)局者及其所頒布的政策的諷刺。
備注：已完結(jié)
類型：喜劇片
主演：Nana Patekar Venkatesh Chavan Jhang
語言：北印度語
年代：未知
簡介：The Pool is the story of Venkatesh, a "room boy" working at a hotel in Panjim, Goa, who sees from his perch in a mango tree a luxuriant garden and shimmering pool hidden behind a wall. In making whatever efforts he can to better himself, Venkatesh offers his services to the wealthy owner of the home. Not content to simply dream about a different life, Venkatesh is inquisitive about the home's inhabitants-indeed about the world around him-and his curiosity changes the shape of his future.
備注：已完結(jié)
類型：劇情片
主演：Arik Lavie Shaike Ophir Avraham Hef
語言：希伯來語
年代：未知
簡介：A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch. A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality. Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others. The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.
備注：已完結(jié)
類型：劇情片
主演：薩姆·沃辛頓 艾德·奧克森博爾德 德波拉·梅爾曼 Nicholas B
導(dǎo)演：羅伯特·康諾利
語言：英語
年代：未知
簡介：薩姆·沃辛頓在世界影壇為一屢澳洲陽光從地球上逝去唏噓不已的同時，另一位與希斯·萊杰同樣來自澳大利亞佩斯的男演員薩姆·沃辛頓于08年初吸引了眾人的目光，先前被詹姆斯·卡梅隆挑中領(lǐng)銜《異次元戰(zhàn)神》的他又在卡梅隆的推薦下入主《終結(jié)者4》接替阿諾，有機(jī)會與蝙蝠俠克里斯蒂安·貝爾同臺獻(xiàn)藝；這兩部科幻大片將讓薩姆·沃辛頓的名字成為09年暑期檔當(dāng)之無愧的關(guān)鍵詞之一。如今接拍《紙飛機(jī)》變暖男……
