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備注：已完結(jié)
類型：歐美劇
主演：Anna Samson Lloyd Griffith Tai Hara
導(dǎo)演：Tenika Smith 海倫娜·布魯克斯
語言：英語
年代：未知
簡介：Series two will reunite us with Detective Sergeant Mackenzie ‘Mack’ Clarke (Anna Samson), who’s longing to get back to the UK and the life she’s always craved. But for now she’s stuck in Dolphin Cove, dodging her ex-fiancée Glenn’s (Tai Hara) upcoming wedding after overhearing his unexpected declaration of love in the series one finale – a confession that she can’t unhear. Luck...
備注：已完結(jié)
類型：歐美動漫
導(dǎo)演：格恩迪·塔塔科夫斯基 Genndy Tartakovsky
語言：英語
年代：未知
簡介：《野蠻紀(jì)源》呈現(xiàn)了進(jìn)化初期的一個穴居人與瀕臨滅絕的恐龍，在悲劇的捆綁下，這段不可能的友誼成了在暴力的原始世界中生存的唯一希望。
備注：已完結(jié)
類型：恐怖片
主演：Tania Niebla Karina Lechuga Seb
導(dǎo)演：Alejandro G. Alegre
語言：西班牙語
年代：未知
簡介：A paranormal radio show host and self-proclaimed witchcraft expert, meets a group of 20-somethings when she stops at a rural motel during a road trip. Soon, they will be murdered, one by one, to bring an evil spirit back from the dead.
備注：已完結(jié)
類型：歐美劇
主演：戴夫·弗蘭科 達(dá)麗爾·漢納 小奧謝拉·杰克遜 艾莉莎·米蘭諾 比爾·默
語言：英語
年代：未知
簡介：Quibi過去宣布預(yù)訂Peter及Bobby Farrelly兄弟所開發(fā)的喜劇《#當(dāng)下# The Now》，Dave Franco擔(dān)當(dāng)主演。這部由Peter Farrelly、Steve Leff及Pete Jones執(zhí)筆的喜劇講述Ed Poole（Dave Franco飾）的未來因?yàn)檫^去一個秘密而毀后，他發(fā)現(xiàn)現(xiàn)在唯一能做的就是丟棄過去、繼續(xù)亂搞未來以及活在當(dāng)下。
備注：已完結(jié)
類型：恐怖片
主演：Grace Adams-Short Aaron Krygier Kay
導(dǎo)演：格雷格·蘭伯森
語言：英語
年代：未知
簡介：Six college grad students and a mysterious stranger battle a pack of ferocious werewolves in a secluded cabin.
備注：已完結(jié)
類型：歐美劇
主演：Anna Samson Lloyd Griffith Tai Hara
導(dǎo)演：Tenika Smith 海倫娜·布魯克斯
語言：英語
年代：未知
簡介：Series two will reunite us with Detective Sergeant Mackenzie ‘Mack’ Clarke (Anna Samson), who’s longing to get back to the UK and the life she’s always craved. But for now she’s stuck in Dolphin Cove, dodging her ex-fiancée Glenn’s (Tai Hara) upcoming wed
備注：已完結(jié)
類型：泰劇
主演：瑛法·瓦拉哈 夏洛特·奧斯汀 瑪琳·賽林 Mint Kittiyapr
導(dǎo)演：未知
語言：泰語
年代：未知
簡介：When office worker Plu is fired from her job after hitting a leering senior, she's left in state of distress as she has her mother and younger sibling to take care of. In low spirits, she meets Ray, a beautiful and wealthy-looking woman who proposes she opens a company called Unlimited Company, a company that will do absolutely anything as long as clients have the money to pay them. Her family owns a building available for rent, and she'd be happy to be a partner. Whether it's the beauty of the woman before her or her drunkenness that persuades her, Plu doesn't know, but she's soon opening up applications for employees with unpredictable talents. Soon, the office is filled with beautiful people, chaos and headache-inducing challenges. What starts as a mess of confusion gradually becomes a second home as relationships between coworkers begin blossoming into something beyond work.
備注：已完結(jié)
類型：科幻片
主演：斯蒂芬妮·馬蒂尼 艾瑪·阿普爾頓 羅里·弗萊克-拜恩 休·奧康納 Aa
導(dǎo)演：安德魯·萊格
語言：英語
年代：未知
簡介： Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II? Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it? Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
