瀕死體驗(yàn)

備注：已完結(jié)

類型：恐怖片

主演：RK·Bagatsing Charlie·Dizon Xyriel·M 

導(dǎo)演：Richard·Somes·Synopsis 

語言：暫無

年代：未知

簡介：跟隨朱莉婭，她將陷入一個(gè)可怕的世界，那里惡靈為她的靈魂而戰(zhàn)，而死亡可能是唯一的解脫。

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戀愛假期

備注：已完結(jié)

類型：劇情片

主演：卡梅隆·迪亞茲 凱特·溫斯萊特 裘德·洛 杰克·布萊克 伊萊·瓦拉赫 

導(dǎo)演：南?！み~耶斯 

語言：英語

年代：未知

簡介： 　　愛麗斯（凱特·溫斯萊特KateWinslet飾）住在英國倫敦的鄉(xiāng)村，而阿曼達(dá)（卡梅隆·迪亞茲CameronDiaz飾）則是洛杉磯的美國麗人。她們?cè)谔炷系乇钡膬啥?，卻遇上了同樣的問題：在感情上遭受了挫敗，令生活灰暗無光。二人在網(wǎng)上聊天，商議在圣誕節(jié)到來之前，到對(duì)方的環(huán)境去生活，交互雙方的住所作為度假場地。于是，一場令人興奮的旅行開始了。愛麗斯來到美國大都市，阿曼達(dá)則乘班機(jī)前往極具英倫情調(diào)的英國鄉(xiāng)村。除了新鮮的生活環(huán)境，當(dāng)?shù)啬猩镊攘Ω屗齻冣Р患胺馈?

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米斯特和皮特不可避免的失敗

備注：已完結(jié)

類型：劇情片

主演：詹妮弗·哈德森 Skylan Brooks Ethan Dizon 阿 

導(dǎo)演：小喬治·提爾曼 

語言：英語

年代：未知

簡介：[這是一個(gè)時(shí)代的故事，兩位市區(qū)年輕的小伙子，他們母親被當(dāng)局帶走后，于是他們開始努力的照料自己，尋求生存之路...]

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生育的世紀(jì)

備注：已完結(jié)

類型：劇情片

主演：Perry Dizon 安吉爾·阿基諾 巴特·金戈納 Hazel Or 

導(dǎo)演：拉夫·迪亞茲 

語言：菲律賓語

年代：未知

簡介：A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.

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