備注：已完結
類型：喜劇片
主演：達絲莎·坡蘭科 艾曼尼·劉易斯 Christian Vunipola
導演：Oz Rodriguez
語言：英語
年代：未知
簡介：A coming of age comedy about a 17-year-old in who asks his three best friends to help him get in his first fight ever before he moves to a new city.
備注：已完結
類型：愛情片
主演：Terence Bridgett Amogelang Chidi Lo
語言：英語
年代：未知
簡介： 在即將邁入30的這一年，四名閨蜜應對情感關系，遭遇心碎時刻，并經(jīng)歷一個可能讓他們友誼破裂的驚人境況
備注：已完結
類型：恐怖片
主演：Laila Lockhart Kraner 史蒂文·格拉漢姆 Rudy
導演：史蒂文·格拉漢姆
語言：英語
年代：未知
簡介：An industrial tow truck driver suffering from insomnia returns to his childhood home after the untimely death of his father, to discover that a paranormal presence has been living in the house and haunting the sacred land it was built on.
備注：已完結
類型：喜劇片
主演：大衛(wèi)·安德斯 凱西·史 Jeff·Rector Braxton·Dav
導演：D·凱瑞·普瑞爾
語言：英語
年代：未知
簡介：巴特（大衛(wèi)·安德斯 David Anders 飾）是一名軍人，一次行動中，他不幸中槍死亡，而就在他的遺體入土沒多久，巴特竟然復活了。有些搞不清楚狀況的巴特找到了生前的好友喬伊（克里斯·維爾德 Chri...
備注：已完結
類型：動作片
主演：Warden Wayne Sean Thomas Reid Moria
語言：英語
年代：未知
簡介： 這是一部非營利性的長篇電影，與漫威、索尼或迪士尼均無關聯(lián)，由該蜘蛛俠的粉絲創(chuàng)作?！ ”说谩づ量耍╓arden Wayne 飾）的前女友不幸身亡，似乎是由于他試圖拯救她而造成的，彼得·帕克對于過去的愧疚揮之不去，質疑是否應該永遠埋葬來自他的另一個自我的詛咒。當他得知一個身患絕癥的孩子尋求與蜘蛛俠見面時，彼得在考慮是否要在他的僅剩之日里去安慰他。 改編自：“SPIDER-MAN: BLUE”以及“THE KID WHO COLLECTS SPIDER-MAN”。
備注：已完結
類型：科幻片
主演：斯蒂芬妮·馬蒂尼 艾瑪·阿普爾頓 羅里·弗萊克-拜恩 休·奧康納 Aa
導演：安德魯·萊格
語言：英語
年代：未知
簡介： Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II? Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it? Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
