備注：已完結
類型：喜劇片
導演：袁祥仁
語言：粵語
年代：未知
簡介：健美班女教練阿芝（梅艷芳 飾）和隔壁的私人偵探阿佐（萬梓良 飾）是一對歡喜冤家，兩人一見面便口角不斷，笑話連連。 某天，四個劫匪搶劫了富商曹先生的名貴鉆石，逃亡途中陰差陽錯將鉆石掉到了阿芝那里。一無所知的阿芝隨后遭到劫匪們的追殺，最終被綁架而去。漸漸喜歡上阿芝的阿佐眼看心上之人身陷虎口，懊惱不已。幸虧其助手IQ博士送給阿芝的防狼器中藏有跟蹤器，二人一路追蹤到劫匪的藏匿窩點。卻不知，阿芝幾經(jīng)周折已脫身而出。但窮兇極惡的劫匪怎肯罷休，誓要得到鉆石為止，而他們的背后似乎又有個黑手暗中操控……
備注：已完結
類型：喜劇片
導演：理查德·唐納
語言：英語
年代：未知
簡介：中古世紀一對相愛的豪杰美人，在嫉妒的大主教（里昂?麥考恩 Leo McKern 飾）從中作梗下，以魔咒將兩人化為永不能相聚的野狼（拉特格?豪厄 Rutger Hauer飾）與鷹女（米切爾?菲菲 Michelle Pfeiffer飾），白晝美女為鷹黑夜豪杰為狼，不過美人也因為可以化身飛鷹逃脫了好幾次大主教的毒手。少年扒手（馬修?布羅德里克 Matthew Broderick 飾）適逢其會看到他們的痛苦決定出手相助，雖然有時候因為他可以在黑夜里和美女相處而遭到狼武士的嫉妒而被抓到遍體鱗傷，可是少年還是出于商量和對美女的崇拜準備和邪惡的大主教戰(zhàn)斗到底。但崇高的愛情是否可以真的破除法力高強的魔咒，白晝和黑夜是否真的可以相逢，武士能否最后抱得美人歸和將大主教懲罰于他的劍下？ 本片獲得1986奧斯卡獎的最佳音響 (Best Sound) 提名；最佳效果(音響編輯) (Best Effects, Sound Effects Editing) 提名。
備注：已完結
類型：科幻片
語言：英語
年代：未知
簡介：Two men and a woman circle the globe in a satellite armed with a nuclear device. The third world war breaks out, and a few months later the satellite crashes. They survive the crash but one man gets killed by survivors and the other man gets caught. The woman stays by the remains of the the satellite but is soon caught by evil punks who have taken power.
備注：已完結
類型：科幻片
主演：耶日·斯圖爾 克里斯提娜·楊達 卡里娜·謝魯斯克 馬里烏什·德莫霍夫斯
導演：皮奧特爾·舒爾金
語言：其它
年代：未知
簡介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
