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備注：已完結(jié)
類型：劇情片
主演：Eckart Bruntjen Rainer Kirchner 古斯塔
導(dǎo)演：達(dá)尼埃爾·于伊耶 讓-馬里·斯特勞布
語言：其它
年代：未知
簡介：影片拍攝于1967年，是至今為止關(guān)于偉大的音樂家巴赫最優(yōu)秀的影片，片名來源于英國作家同名小說，片中引用的對話、信件都取自巴赫生前的真實(shí)文件檔案。影片幾乎匯集了當(dāng)時音樂演奏界的精英，如哈儂考特、奧古斯特·溫欽格等，具有非常高的史料價值。與我們平日看到肖像畫上胖而結(jié)實(shí)的巴赫完全不同，由著名鋼琴演奏家和指揮家古斯塔夫·萊昂哈扮演的巴赫顯得瘦小文弱。影片問世后得到了當(dāng)時影評界的激賞。
備注：已完結(jié)
類型：劇情片
主演：未知
導(dǎo)演：達(dá)尼埃爾·于伊耶 讓-馬里·斯特勞布
語言：其它
年代：未知
簡介：Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series. ~ Mark Deming, All Movie Guide The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport ?both in their professional and daily lives ?between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps. The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial. -Steve Grayson my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty. - Jonathan Rosenbaum
備注：已完結(jié)
類型：劇情片
主演：威廉姆·伯格 Georg Brintrup 霍華德·沃儂
導(dǎo)演：達(dá)尼埃爾·于伊耶 讓-馬里·斯特勞布
語言：其它
年代：未知
簡介：The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuse?s (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna. The German writer Friedrich H?lderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, H?lderlin’s English-language translator, the main reason why H?lderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination. Huillet-Straub’s The Death of Empedocles is based on H?lderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
備注：已完結(jié)
類型：劇情片
主演：Astrid Ofner Ursula Ofner Hans Dieh
導(dǎo)演：達(dá)尼埃爾·于伊耶 讓-馬里·斯特勞布
語言：其它
年代：未知
簡介：法國導(dǎo)演情侶組合斯特勞布-于伊耶與1991年將索?？死账沟南ＥD悲劇《安提戈涅》搬上銀幕，文本上采用了德國浪漫主義詩人荷爾德林的著名翻譯，版本上則依照布萊希特40年代的改編，拍攝地點(diǎn)是西西里島上塞杰斯塔的一座古羅馬劇院遺址，拍攝時陽光明媚。影片背后文本的多層厚度賦予了本片以極強(qiáng)的現(xiàn)時性：就在拍攝當(dāng)年的夏天，美軍對伊拉克發(fā)起了第一輪進(jìn)攻。這是一部關(guān)于教育公民不服從的作品。
備注：已完結(jié)
類型：劇情片
主演：Gianni Buscarino Angela Nugara Vitt
導(dǎo)演：達(dá)尼埃爾·于伊耶 讓-馬里·斯特勞布
語言：其它
年代：未知
簡介：一如他曾把卡夫卡小說幾乎「抽象」化，也把巴哈女士日記拍得如此地貼近音樂而非文字，Straub的這種風(fēng)格，除了執(zhí)拗地延續(xù)像MoulletGarrel這些新浪潮好友的「極簡」手法之外，也算是為自己的「藝術(shù)」捍衛(wèi)的極高體現(xiàn)?！ 】磥?，我還得回頭去看一下Pedro Costa為「我們時代的電影」系列，為這兩夫妻拍的那一集吧，或許，我才真正能向他們更靠近一些（到底是Costa像他們而找他拍，還是Costa本身確實(shí)受到兩夫妻的影響，而得到真髓，所以找來對他們最有研究的創(chuàng)作者來拍呢？這我們就不得而知了）？
備注：已完結(jié)
類型：劇情片
主演：Christian Heinisch Nazzareno Bianco
導(dǎo)演：達(dá)尼埃爾·于伊耶 讓-馬里·斯特勞布
語言：其它
年代：未知
簡介：改編自卡夫卡未完成的長篇小說《美國》，但其關(guān)注的并非真實(shí)的美國，更像是沒有詳細(xì)年代的關(guān)于美國的寓言?？?羅斯曼由于丑聞而接受其舅舅的邀請搬去美國，然而他無法擺脫歐洲大陸舊式習(xí)慣，更糟的是，歐洲的階級結(jié)構(gòu)無法讓他通過自己的雙手謀生。這一電影版關(guān)注資本主義社會創(chuàng)造的殘酷而變幻莫測的階級關(guān)系。同時忠于原著而未添加影片的結(jié)局。施特勞布夫婦風(fēng)格的一貫操作與卡夫卡氛圍的完美結(jié)合：中景固定機(jī)位，面無表情的演員，人物肢體和語言刻意僵硬，強(qiáng)調(diào)側(cè)面特寫，鏡頭推進(jìn)及平移刻意突兀。由此我們可以尋求到改編卡夫卡作品的帶實(shí)驗性的可能。
