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備注：已完結(jié)
類型：劇情片
主演：貝蒂·戴維斯 喬治·布倫特 亨弗萊·鮑嘉 杰拉丁·菲茨杰拉德 羅納德·
導(dǎo)演：愛(ài)德芒德·古爾丁
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：茱蒂絲（貝蒂·戴維斯 Bette Davis 飾）是混跡在上流社交圈里的交際花，一次偶然中，她發(fā)現(xiàn)自己的腦袋里長(zhǎng)了一個(gè)腫瘤，命不久矣。悲觀而又倔強(qiáng)的茱蒂絲決定對(duì)自己所剩無(wú)多的人生放任自流，開(kāi)始了夜夜笙歌的無(wú)度生活。 在一場(chǎng)派對(duì)上，茱蒂絲結(jié)識(shí)了腦科醫(yī)生斯迪爾（喬治·布倫特 George Brent 飾），斯迪爾為茱蒂絲進(jìn)行了腦科手術(shù)，成功的取出了腫瘤，與此同時(shí)，兩人也墜入了情網(wǎng)之中。茱蒂絲和斯迪爾很快就攜手步入了婚姻的殿堂，婚后的生活充滿了幸福和快樂(lè)，直到有一天，茱蒂絲發(fā)現(xiàn)自己的腫瘤復(fù)發(fā)了。絕望之中，她恢復(fù)了從前放縱的生活，這令斯迪爾感到非常痛苦。
備注：已完結(jié)
類型：劇情片
主演：貝蒂·戴維斯 保羅·盧卡斯 杰拉丁·菲茨杰拉德 露塞爾·沃特森 比尤拉
語(yǔ)言：英語(yǔ) / 德語(yǔ)
年代：未知
簡(jiǎn)介：著名女編劇麗莉安．海兒曼的百老匯舞臺(tái)劇搬上銀幕，在二次世界大戰(zhàn)期間生動(dòng)地反映了德國(guó)納粹間諜的陰影無(wú)所不在的恐怖感。保羅．盧卡斯飾演從德國(guó)逃到美國(guó)的反納粹地下組織領(lǐng)袖，他和妻子蓓蒂．戴維絲可以在華盛頓的新環(huán)境中得到安全的生活，不料同樣受到納粹間諜的監(jiān)視困擾。導(dǎo)演赫曼．沙姆林從心理層面來(lái)反映戰(zhàn)時(shí)美國(guó)民眾反法西斯的面貌，以下個(gè)動(dòng)人的故事提醒觀眾“匪諜就在你身邊"，可以說(shuō)是一部藝術(shù)性的政策片。曾獲奧斯卡最佳男主角獎(jiǎng)。
備注：已完結(jié)
類型：喜劇片
主演：艾瑪·斯通 艾瑪·湯普森 喬爾·弗萊 保羅·沃爾特·豪澤 約翰·麥克雷
導(dǎo)演：克雷格·吉勒斯佩
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：影片改編自道迪·史密斯的小說(shuō)，故事設(shè)定在20世紀(jì)70年代朋克搖滾革命時(shí)期的倫敦，講述了一個(gè)名叫艾絲黛拉（艾瑪·斯通 飾）的年輕騙子的故事。艾絲黛拉是一個(gè)聰明又有創(chuàng)意的女孩，她決心用自己的設(shè)計(jì)讓自己出名。她和一對(duì)欣賞她的惡作劇嗜好的小偷交上了朋友，并能夠一起在倫敦的街道上建立自己的生活。有一天，艾絲黛拉的時(shí)尚品味吸引了馮·赫爾曼男爵夫人（艾瑪·湯普森 飾）的眼球，她是一位時(shí)尚界的傳奇人物，擁有毀滅性的時(shí)尚和可怕的高雅，但他們的關(guān)系引發(fā)了一系列事件，導(dǎo)致艾絲黛拉去擁抱她的邪惡一面，成為了兼具瘋狂、時(shí)尚和報(bào)復(fù)心的庫(kù)伊拉。
備注：已完結(jié)
類型：劇情片
導(dǎo)演：劉易斯·艾倫
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
