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備注:已完結(jié)
類(lèi)型:喜劇片
主演:扎克瑞·萊維 亞瑟·安其 杰克·迪倫·格雷澤 海倫·米倫 劉玉玲 瑞秋
導(dǎo)演:大衛(wèi)·F·桑德伯格
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介: 比利·巴特森和其他孩子們雖然獲得了超凡的神力和成人的外表,但仍處在青春期的他們還在學(xué)習(xí)如何平衡內(nèi)心與外在的不同。但是當(dāng)阿特拉斯的女兒——復(fù)仇三女神來(lái)到地球,尋找很久以前被偷走的神力時(shí),比利·巴特森和家人們將為了守護(hù)他們的超能力、生命以及整個(gè)世界的命運(yùn)而展開(kāi)一場(chǎng)激戰(zhàn)。
備注:已完結(jié)
類(lèi)型:喜劇片
主演:彼得·馬克·肯德?tīng)?/a> 扎克瑞·布斯 西德尼·詹姆斯·哈考特
導(dǎo)演:杰·拉塞爾
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:Best friends, Alex and Bryan, have a bitter fight entirely via text message when one of them sleeps ...
備注:已完結(jié)
類(lèi)型:喜劇片
主演:羅伯特·德尼羅 安妮·海瑟薇 蕾妮·羅素 安德雷斯·霍爾姆 喬喬·庫(kù)什
導(dǎo)演:南希·邁耶斯
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:年近七十的本(羅伯特·德尼羅 Robert De Niro 飾)曾經(jīng)是一位精明強(qiáng)干,事業(yè)有成的商人,最終,他還是和大部分老年人一樣開(kāi)始了平淡的退休生活。本對(duì)忙碌而又充實(shí)的過(guò)去無(wú)比懷念,孤獨(dú)與內(nèi)心里蠢蠢欲動(dòng)的渴望讓他做出了重回職場(chǎng)的決定,成為了年輕的朱爾斯(安妮·海瑟薇 Anne Hathaway 飾)手下的一名小小員工。 朱利安年紀(jì)雖輕卻是一家著名時(shí)尚購(gòu)物網(wǎng)站的創(chuàng)辦人,為了事業(yè),她犧牲了自己全部的業(yè)余時(shí)間和感情生活,這份事業(yè)帶給了朱利安榮耀,卻也成為了她肩上沉重的負(fù)擔(dān),更糟的是,公司董事會(huì)已經(jīng)開(kāi)始懷疑,朱利安是否能夠勝任她目前的職位了。起初,朱利安并沒(méi)有將年邁又落伍的本放在眼里,然而,隨著時(shí)間的推移,這位慈祥的長(zhǎng)者漸漸成為了她生活中最真摯的友人。
備注:已完結(jié)
類(lèi)型:動(dòng)作片
主演:克里斯蒂安·貝爾 薩姆·沃辛頓 穆恩·布拉得古德 海倫娜·伯翰·卡特
導(dǎo)演:約瑟夫·麥克金提·尼徹
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:2018年,天網(wǎng)系統(tǒng)與人類(lèi)的戰(zhàn)爭(zhēng)使世界陷入了末世般的境況,反抗軍精神領(lǐng)袖約翰·康納(克里斯蒂安·貝爾 Christian Bale 飾)帶隊(duì)執(zhí)行一次任務(wù)的過(guò)程中獲得了戰(zhàn)勝天網(wǎng)的新思路,而天網(wǎng)系統(tǒng)適時(shí)推出了新的目標(biāo)排名,康納位居次席,榜首上康納此時(shí)尚年青的父親凱爾·瑞斯赫 然在列。與此同時(shí),一名遺忘了自身過(guò)去經(jīng)歷的強(qiáng)壯男子馬庫(kù)斯(薩姆·沃辛頓 Sam Worthington 飾)出現(xiàn)在洛杉磯的廢墟中,他與反抗軍戰(zhàn)士瑞斯偶然結(jié)識(shí),并組隊(duì)前往反抗軍總部,不料途中遭機(jī)械人襲擊,瑞斯被俘。落單的馬庫(kù)斯經(jīng)由反抗軍女戰(zhàn)士布萊爾引路,迎來(lái)了與康納命中注定的相遇,但人與機(jī)械的對(duì)立讓康納不得不視對(duì)方為敵人…… 瑞斯在天網(wǎng)中心生死未卜,同時(shí)反抗軍高層不肯推遲強(qiáng)行進(jìn)攻計(jì)劃,留給康納的時(shí)間不再充裕,他只能選擇進(jìn)行一場(chǎng)賭上性命與榮譽(yù)的潛入行動(dòng)。
備注:已完結(jié)
類(lèi)型:科幻片
主演:耶日·斯圖爾 克里斯提娜·楊達(dá) 卡里娜·謝魯斯克 馬里烏什·德莫霍夫斯
導(dǎo)演:皮奧特爾·舒爾金
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
備注:已完結(jié)
類(lèi)型:劇情片
主演:喬舒華·萊納德 克萊爾·芙伊 莎拉·斯蒂爾斯 馬克·庫(kù)迪奇 艾米·歐文
導(dǎo)演:史蒂文·索德伯格
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介: 《失心病狂》講述了一個(gè)年輕女孩,一個(gè)年輕女人為了擺脫混亂的過(guò)去離開(kāi)了家鄉(xiāng),無(wú)意中被送進(jìn)了精神病院。在面對(duì)如何“逃出去”的自我命題之下,對(duì)她而言,似乎還潛藏著更大的恐懼—她似乎正在失去判斷這一切到底是真實(shí)的存在還是自己的臆想的能力……影片以一種扭曲的視角和驚人的故事向我們問(wèn)出了關(guān)于我們對(duì)于現(xiàn)實(shí)的認(rèn)知,我們的生存本能以及本該保護(hù)我們的系統(tǒng)的問(wèn)題。
備注:已完結(jié)
類(lèi)型:恐怖片
主演:費(fèi)爾南達(dá)·羅梅羅 亞歷桑德羅·尼沃拉 科洛·莫瑞茲 奧巴·巴巴圖德 希
導(dǎo)演:大衛(wèi)·莫羅
語(yǔ)言:英語(yǔ),西班牙語(yǔ)
年代:未知
簡(jiǎn)介:家住洛杉磯的希妮·維爾斯(杰西卡·阿爾芭 Jessica Alba 飾)多才多藝,美麗聰慧,但是上天并未對(duì)她過(guò)多垂青。童年時(shí)發(fā)生的一場(chǎng)事故,導(dǎo)致希妮雙目失明,從此只能生活在黑暗的世界里。在姐姐海倫(帕...