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備注：已完結(jié)
類(lèi)型：動(dòng)作片
主演：沙魯克·汗 瓦妮·卡普爾 保羅·布萊克維爾 瑪瑞沃拉·嘉沃斯卡 李·尼
導(dǎo)演：瑪尼什·莎瑪
語(yǔ)言：印地語(yǔ)
年代：未知
簡(jiǎn)介：高瑞夫（沙魯克·汗 Shahrukh Khan 飾）經(jīng)營(yíng)著一家網(wǎng)吧，是一個(gè)看上去非常普通的男人?？蓪?shí)際上，他是著名影星阿利安（沙魯克·汗 Shahrukh Khan 飾）的超級(jí)粉絲。從很小的時(shí)候起，他就被這個(gè)銀幕上的大英雄深深的吸引著，讓高瑞夫沒(méi)有想到的是，隨著年齡的增長(zhǎng)，自己的樣貌竟然和阿利安越來(lái)越相似，甚至相似到了會(huì)有人把他們認(rèn)錯(cuò)的地步。 和自己最喜歡的明星長(zhǎng)得很像是一種怎樣的體驗(yàn)？就這樣，高瑞夫參加了明星模仿秀，并且順利的得到了頭籌，很快就要到阿利安的生日了，高瑞夫決定利用比賽獲得的獎(jiǎng)金前往孟買(mǎi)，真真切切的看自己的偶像一眼。然而，高瑞夫的計(jì)劃很快就失控了。
備注：已完結(jié)
類(lèi)型：動(dòng)作片
主演：阿諾·施瓦辛格 卡爾·韋瑟斯 艾爾皮迪婭·卡里洛 比爾·杜克 杰西·溫
導(dǎo)演：約翰·麥克蒂爾南
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：美軍一名飛行員在南美洲的原始森林失蹤了，那里盤(pán)踞著不怎么友好的當(dāng)?shù)赜螕絷?duì)。美軍特種兵少校達(dá)奇（阿諾?施瓦辛格 Arnold Schwarzenegger）率領(lǐng)部下親自前往搜救。他們?cè)谏掷锖芸炀桶l(fā)現(xiàn)了失蹤的飛行員的尸體，死狀恐怖。大家都認(rèn)為那是當(dāng)?shù)氐挠螕絷?duì)干的，憤怒的隊(duì) 員開(kāi)始尋找當(dāng)?shù)赜螕絷?duì)的基地，要為同伴報(bào)仇?！ ∪欢?dāng)他們發(fā)現(xiàn)當(dāng)?shù)赜螕絷?duì)的營(yíng)地時(shí)，發(fā)現(xiàn)當(dāng)?shù)厝艘脖灰环N恐怖氣氛所籠罩著。隨后，隊(duì)員們相繼被襲擊身亡，但每次都沒(méi)發(fā)現(xiàn)敵人的半個(gè)影子。對(duì)方就像憑空隱形了一樣。孤身一人的達(dá)奇決心憑自己的力量面對(duì)這股神秘恐怖的力量……
備注：已完結(jié)
類(lèi)型：喜劇片
主演：保羅·卡拉布雷西 巴巴克·卡里米 寶拉·柯特萊西 瓦萊里奧·馬斯坦德雷
導(dǎo)演：暫無(wú)
語(yǔ)言：意大利語(yǔ)
年代：未知
簡(jiǎn)介：Sara and Nicola are expecting their second son. Through the late Mattia Torre's sharp look, all the ...
備注：已完結(jié)
類(lèi)型：喜劇片
主演：卡蒂·奧廷寧 卡里·瓦納寧 葉琳娜·薩羅 薩卡里·庫(kù)斯曼嫩 馬庫(kù)·佩爾
導(dǎo)演：阿基·考里斯馬基
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：愛(ài)娜（卡蒂·奧廷寧 Kati Outinen 飾）和凱瑞（Kari V??n?nen 飾）是一對(duì)感情十分要好的夫妻，他們一個(gè)是餐廳經(jīng)理，一個(gè)是電車(chē)司機(jī)，盡管經(jīng)濟(jì)并不寬裕，甚至有些“緊巴巴”，但很顯然，照此發(fā)展，兩人的未來(lái)充滿(mǎn)了光明和希望。 經(jīng)濟(jì)危機(jī)的到來(lái)讓愛(ài)娜和凱瑞的家庭也陷入了危機(jī)，愛(ài)娜所在的餐廳破產(chǎn)倒閉，凱瑞在公司的“裁員抓鬮”中不幸中彩，夫妻兩人同時(shí)失去了工作，家里的貸款還未還完，生活露出了真實(shí)而殘酷的面孔，愛(ài)娜和凱瑞不知該如何是好。雖然丟掉了工作，但夫妻兩并沒(méi)有丟掉斗志和尊嚴(yán)，為了生存，他們做出了種種努力，不幸的是，這些努力均以失敗告終。在此走投無(wú)路之際，愛(ài)娜曾經(jīng)的老板出現(xiàn)在了愛(ài)娜的面前，他帶來(lái)了一個(gè)機(jī)會(huì)，它有可能壞的，但也有可能是好的。
備注：已完結(jié)
類(lèi)型：科幻片
主演：耶日·斯圖爾 克里斯提娜·楊達(dá) 卡里娜·謝魯斯克 馬里烏什·德莫霍夫斯
導(dǎo)演：皮奧特爾·舒爾金
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
