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備注：已完結(jié)
類型：動作片
主演：吉里格力·多布金 葉卡婕琳娜·維爾科娃 維克多·維爾比斯基 瓦列里·佐
導演：Dmitriy Kiselev Aleksandr Voytinskiy
語言：其它
年代：未知
簡介：影片中被稱作“黑色閃電”的車是一輛伏爾加（Volga）跑車，是當年蘇聯(lián)GAZ公司的頂級汽車品牌，曾經(jīng)作為俄羅斯官員御駕。 莫斯科大學的學生Dima（吉里格力·多布金 Grigoriy Dobrygin 飾）的夢想就是擁有一輛好車，然后和漂亮的女同學Nastya（葉卡捷琳 娜·維柯娃 Ekaterina Vilkova 飾）約會。生日那天，他收到了父親的生日禮物—一輛老牌的“Volga21”。偶然的機會下，他發(fā)現(xiàn)這是一輛會飛的車子。他的生活從此不再平靜，依靠這輛會飛的車子，他賺到了前所未有多的錢。他在擁堵的莫斯科城上空盤旋?！ 〉镁安婚L，災難從天而降，Dima不得不肩負起重擔。從此，莫斯科上空出現(xiàn)了“黑色閃電”，一位隨時向市民伸出援手的無所畏懼的英雄......
備注：已完結(jié)
類型：科幻片
主演：耶日·斯圖爾 克里斯提娜·楊達 卡里娜·謝魯斯克 馬里烏什·德莫霍夫斯
導演：皮奧特爾·舒爾金
語言：其它
年代：未知
簡介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
